diagnosis halftone
must begin by highlight some interesting biases and courageous work done, show boldness rarely do most of the reports of the same type. The findings relate to our shared recognition:
disengagement of the state in the culture at a specific time: 2008;
the breakdown of trust between actors in the field, the department, CNC and local authorities; Sunday, May 17, 2009
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a certain contempt for the work of field workers, or even the local authorities;
: media libraries, video libraries, ECM, etc. popular education movements. etc., reducing the issue of cultural action to theaters and festivals, and has
failure to identify any part of outreach work and support of the aforementioned
- the fact that the vast diversity field workers do not impair the proper conduct of actions, but rather, produces very satisfactory results.
- However, the diagnosis is not without flaws. Instead, it is riddled with inaccuracies, and even contradiction. As examples, we found:
- lack of global perspective cultural action film, audiovisual and multimedia, not taking into account the inherent cross-cultural action;
: media libraries, video libraries, ECM, etc. popular education movements. etc., reducing the issue of cultural action to theaters and festivals, and has
failure to identify any part of outreach work and support of the aforementioned
- (especially on non-commercial);
- oblivion quite shocking Partner Education, yet unavoidable, in the evocation of schooling arrangements;
- the charge of "elitism" catalogs of educational devices the image that would justify a distrust of teachers vis-à-vis the devices; crowding the field of "visual education" activities conducted by professional facilitators and the pretext that there are no teachers involved;
- focus on quantitative evaluation of cultural action, according to a purely accounting, including the overvaluation of the sole criterion for attendance at the expense of quality evaluation of actions;
- evocation too fast the burning issue of volunteering, which is not considered a priority even as the cinema, audiovisual and experimental are all affected by this issue;
- stigma of non-renewal of film catalogs clubs and priority-Accor deraient film clubs to 16 mm, which would explain their desertion (which is absolutely false!)
- Furthermore, we would have liked to be pointed in this report the lack of transparency in the method of redistribution of funds devolved following declines in 2008. To illustrate our claim, recall that " recently, Blac sent a letter to the various Regional Directors of Cultural Affairs to hear the assessment of credit declines in 2008 and how the assignments were made. There now, if I remember correctly, three DRAC - Regional Direction of Cultural Affairs, on the twenty-two, who responded to Blac!
- Overall, we want the assessment to be rebalanced in favor of quality. We will be in that perspective, the proposal: "We , structures of cultural action, we have to design assessment tools that contain qualitative objectives of the accompanying film.
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